Episode 14

Coming Home to Rome. Week 14: Ovid, Virgil, and More Roman Poets

In this episode of Crack the Book, we take a look at Week Fourteen of Ted Gioia’s Humanities Course, covering Virgil’s The Aeneid (Books 1–2), Ovid’s Metamorphoses (Book 1), and selections from The Portable Roman Reader. The focus is on key texts from Roman literature, their historical context, and their connections to earlier Greek works, providing an overview of their content and significance.

Key Discussion Points:

Virgil’s The Aeneid (Robert Fagles’ Translation): Written between 29–19 BCE, The Aeneid serves as Rome’s foundational epic, modeled on Homer’s Iliad and Odyssey. Book 1 opens with Aeneas, a Trojan survivor, shipwrecked on Carthage’s shore due to Juno’s interference, meeting Queen Dido, an exile from Tyre. Book 2 recounts Troy’s fall, including the Trojan Horse stratagem and Aeneas’ escape with his father Anchises and son Ascanius, losing his wife Creusa. The text emphasizes Aeneas’ pietas (duty to gods, family, state). Divine rivalries, notably Juno’s grudge from the Judgment of Paris and Venus’ protection of Aeneas, drive the narrative. The Fagles translation includes maps and a glossary for accessibility.
Ovid’s Metamorphoses (David Raeburn’s Translation): Composed around 8 CE, Metamorphoses is a 15-book poem chronicling transformations from creation to Ovid’s era. Book 1 covers the creation of the cosmos from Chaos, the division into four elements (fire, water, earth, air), and humanity’s decline from the Golden to Iron Age. It includes a flood narrative with Deucalion and Pyrrha and the story of Io, transformed into a cow by Jupiter to evade Juno. The Raeburn edition organizes vignettes with titled sections for clarity.
The Portable Roman Reader (Basil Davenport, Ed.): Published in 1951, this anthology includes poetry from Rome’s Republic, Augustan, and later Empire periods. Catullus (c. 60s–50s BCE) offers direct, personal verses, translated by Byron. Horace (65–8 BCE) writes complex, philosophical odes, less accessible due to style. Martial (c. 38–104 CE) provides epigrams on public life, including two elegies for a deceased young girl. Davenport’s notes contextualize each era, and the anthology features prose by Livy, Caesar, and Tacitus for future study.
Contextual Notes: The texts reflect Rome’s engagement with Greek literary traditions, adapting gods’ names (e.g., Hera to Juno) and themes. The course’s schedule prioritizes rapid coverage to identify key works and connections.

Takeaways:

I loved this week so much! It felt great to come "home" to Rome. I've got specific ideas about how to approach each of these books, but in my opinion they are all worth the time for certain people.

The music was gorgeous, arias and overtures from Puccini and Verdi! You must listen...check out my link below. And the cave paintings were worth examining as well, especially the handprints from Indonesia. See that link below, too.

This is a year-long challenge! Join me next week for WHATEVER IS NEXT

LINKS

Ted Gioia/The Honest Broker’s 12-Month Immersive Humanities Course (paywalled!)

My Amazon Book List (NOT an affiliate link)

Spotify Play List of Puccini and Verdi without words

Cave Paintings

CONNECT

To read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.

Follow me on Instagram - https://www.instagram.com/cldrury/

LISTEN

Spotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bd

Apple Podcasts - https://podcasts.apple.com/us/podcast/crack-the-book/id1749793321